The Obelisk of Theodosius (Turkish: Dikilitaş) is the Ancient Egyptian obelisk of Pharaoh Thutmose III (1479 BC) re-erected in the Hippodrome of Constantinople (known today as At Meydanı or Sultanahmet Meydanı, in the modern city of Istanbul, Turkey) by the Roman emperor Theodosius I in the 4th century AD.
Hagia Sophia (from the Greek: Ἁγία Σοφία, "Holy Wisdom"; Latin: Sancta Sophia or Sancta Sapientia; Turkish: Ayasofya) is a former Greek Orthodox Christian patriarchal basilica (church), later an imperial mosque, and now a museum (Ayasofya Müzesi) in Istanbul, Turkey. From the date of its construction in 537 until 1453, it served as an Orthodox cathedral and seat of the Patriarch of Constantinople, except between 1204 and 1261, when it was converted to a Roman Catholic cathedral under the Latin Empire. The building was a mosque from 29 May 1453 until 1931. It was then secularized and opened as a museum on 1 February 1935.
The Arabic symbols from laft to right are Mohammed, Allah, and Caliph Abū Bakr (Mohammed's wife's father)
A family in front of The Süleymaniye Mosque
Traditional Muslim women in front of The Süleymaniye Mosque
The Süleymaniye Mosque (Turkish: Süleymaniye Camii, Turkish pronunciation: [sylejˈmaːnije]) is an Ottoman imperial mosque located on the Third Hill of Istanbul, Turkey. It is the largest mosque in the city, and one of the best-known sights of Istanbul.
The Church of the Holy Saviour in Chora (Turkish: Kariye Müzesi, Kariye Camii, Kariye Kilisesi — the Chora Museum, Mosque, or Church) is an extremely ancient Byzantine Greek Orthodox church preserved as a museum in the Edirnekapı neighborhood of Istanbul. The neighborhood is situated in the western part of the municipality (belediye) of the Fatih district. In the 16th century, during the Ottoman era, the church was converted into a mosque; it became a museum in 1948. The interior of the building is covered with some of the oldest and finest surviving Byzantine mosaics and frescoes; they were uncovered and restored after the building was secularized and turned into a museum. The original church on this site was built in the early 5th century, and stood outside of the 4th century walls of Constantine the Great. However, when Theodosius II built his formidable land walls in 413–414, the church became incorporated within the city's defences, but retained the name Chora. The name must have carried symbolic meaning, as the mosaics in the narthex describe Christ as the Land of the Living (ἡ Χώρα των ζώντων, hē Chōra tōn zōntōn) and Mary, the Mother of Jesus, as the Container of the Uncontainable (ἡ Χώρα του Ἀχωρήτου, hē Chōra tou Achōrētou).
The majority of the fabric of the current building dates from 1077–1081, when Maria Dukaina, the mother-in-law of Alexius I Comnenus, rebuilt the Chora Church as an inscribed cross or quincunx: a popular architectural style of the time.